Nine Stories

Analysis nine Stories by JD Salinger For those akin me who couldnt notice any insightful analyses about(predicate) this collection on the Internet Youre welcome. I make water finally figured out what this is about (I guess). So the wreak out book club met a couple weeks ago to discuss Nine Stories by JD Salinger. Much despair was had because of our varied and confused insights into Salingers stories. Was Seymour a paedophile? Whats up with the random last business sector in Just beforehand the fight with the Eskimos? How should we interpret Nine Stories?And although I havent answered most of these questions, I drive out at least answer the last. So for those of who dont know how to absorb the collection, heres a little solace All of these short stories atomic number 18 about the breathing out of naturalness and the attempt to gain it pole. The characters argon stuck mingled with innocence and givinghood. And, interestingly, closely all of the stories feature an fu ndamental interaction between a infant and an adult, the child generally being an ideal or a tool for the adult to regain innocence provided not al expressions.In some, flat the child is essay with the loss of ideals. Seymour screwball is the main character in A sodding(a) Day for Banana tilt, and hes recently returned from the fight with mental wounds serious enough to have a bun in the oven psychiatric help. The first half of the tale shows a telephone confabulation between his new wife, Muriel, and her mother. Their discussion revolves around Seymours problems, and when comp atomic number 18d to our firsthand experience with those problems we fool how little they grasp and how little either of them has invested in his well-being.In the second ingredient of Bananafish Seymour speaks with a unripened girl named Sybil about catching (mythical) bananafish a fish whose quest for food eliminates to its a demise. The encounter is a bit deplorable sexual language abo und and we get a feel for Seymours anguish, although specifics be murky. Salinger uses every word to his advantage in a very shrewd way and, emergencyless to say, the encounter is quite unsettling. We have that distress support when, at the end of the study, Seymour retires to the hotel room where his wife is sleeping sits next to her, and shoots himself.The importee of the bananafish is, of course, Seymours alignment with it. The fishs quest for food translates to Seymours quest for innocence. His quest, like the fishs, ends in death. Sybil represents Seymours ultimate goal, which is why their interaction is so unnerving. It seems, on the outside, like hes preying on her (like the bananafish does its food), unless hes actually later on what she represents innocence. He gets his fill and bloats so that he cant belong covering into a world where mountain like his wife and mother-in-law rule. They are Sybils antithesis, and Seymour is caught between the two different e xistences.Its in this limbo where Seymour and adult maley of Salingers protagonists in Nine Stories perish. Eloise and bloody shame Jane are former college roommates who re concern in Uncle Wiggily in computed axial tomography (my personal fave). Mary Jane visits Eloise at her theatre of operations, and thus ensues a night of drunk revelations. Immediately, Eloise appears unhappy to the point of severity, and Mary Jane takes a back seat to Eloises right away unmixed issues. We learn that Eloise lost the love of her life in the war (a common villain in Nine Stories) and has resigned herself to a lackluster, unwanted marriage.Shes so unsatisfied with her life and her past that she takes it out on everyone, especially her young lady Ramona who has an imaginary friend symbolic of dreamy innocence and as well as indicative of a void shes trying to fill (the lack of ruth from her mother). In one poignant scene in Uncle Wiggily, Eloise berates Ramona with dumbfounding rage. In the end after a LOT of alcohol Eloise admits her helplessness transposing her anger onto others. She resents the loss of her first love, resents her loss of innocence, and resents the people who still have it.Its really an agonizing explanation about lost hope, the recognition of no longer having hope, and the desperation to if nothing else remember what its like to have hope. Shes pin down in a sort of external realm, watching herself, aware of her circumstance, and nevertheless not being capable of moving forward. Just Before the War with the Eskimos is about a frugal young girl, Ginnie, who comes into her friend, Selenas home to collect a cab fare and encounters her brother, Franklin, a grubby Holden Caulfield-type of character. Eskimos really eludes any manifest meaning, but its in there somewhere. Okay, here goes . he larger case is war. Its the backbone of most of Nine Stories. Franklin was not drafted, because he has a naughtily heart, and he and Ginnie talk abou t this briefly, but long enough for Ginnie to connect it with what they are subconsciously discussing rejection. From the get-go with her demanding to be reimbursed for the cab fare Ginnie appears to be a girl who takes things for granted she gets everything she wants. Ginnies not deliberately mean, but she doesnt have a bun in the oven things as they are, but rather demands that they be how she wants them and easily dismisses things/people she doesnt bursting charge for.She wants to throw the furniture in Selenas home out the window, for example. Then, in walks Franklin, who is boldly himself. Their conversation begins with his rejection from the draft, then moves to his rejection by Ginnies sister, then Ginnies rejection of the sandwich he offers her. Ginnie is connecting with a person who has been rejected his whole life by people like her and the types of institutions that she represents. Unconsciously, Ginnie links her behavior with the behavior of war, and in the end, deci des to keep the sandwich a growth in character.The sandwich is sort of symbolic of the rejection Franklin has experienced in the past(his loss of innocence), and it parallels the dead Easter chick (death=death of innocence/hope) in the last line. I may be stretching it, but the story is so tightly wound that its hard to unravel. Ginnie is undoubtedly changed for the better because of her interaction with Franklin. Her taking the sandwich may have given him hope for approaching acceptance, and he gave Ginnie forgiveness and a little child-like compassion. Eh? The express feelings universe Yeesh. This story is a mind-squeeze if I ever saw one, but I think Ive got it figured out.The premise is that a college-aged guy takes a bunch of young boys on little field trips to the baseball diamond, for example (What are his motives? Where are these boys parents and how do they feel? I dont know, but alas ) During these outings, The Chief as hes call offed narrates a fable about The l augh Man, a sort of creepy-roguish-Robin crownwork character with a deformed face, a sense of adventure, and an Inspector Clouseau type-of-character after him. The Laughing Man may or may not be narrated by Buddy Glass, a member of Salingers Glass family. The boys-only outine comes to a checkout when The Chiefs girlfriend, Mary Hudson, starts tagging along, presumably because of dental practitioners appointments she has in the city. With the entrance of Mary, the Laughing Mans fate takes a turn for the worse. The narrator notices frustration between Mary and The Chief, and in the end, the Laughing Man meets his maker and the boys never see Mary Hudson again. The Laughing Man is primarily a story about lost innocence. The Chief, a college student, spends his afternoons with comparatively young boys questionable, but without a doubt, an attempt to sustain his youth.Immediately, with the entrance of Mary Hudson, the narrator senses stress between her and the Chief. The Laughing Man symbolizes boyhood and innocence, and when Mary Hudson arrives, the Laughing Mans fate becomes less certain. Thanks to Wikipedia, a plausible explanation would be that Mary Hudson is pregnant and is actually coming into the city for doctors visits, not dentist appointments. (Who has frequent dentist appointments? ) This is most likely the case, but its irrelevant. The moral of the story and what the Chief is teaching the boys with the Laughing Mans story is that boyhood ends. Innocence ends.Kind of depressing, but there it is, consistent with the rest of Nine Stories. Down at the walleyed pike opens with two house servants discussing Lionel, the son of tinkers damn Boo Glass (their employer). (Another Glass appearance woohoo ) We gather from their conversation that Lionel has a penchant for running away. one(a) of them is also concerned that Lionel will repeat something she said (apparently, he has a penchant for that as well). Thus, after Boo Boo arrives at the house, speaks with the women for a moment, and goes down to the pier to see Lionel, hes trying to sail away. Where the Wild Things argon? anyone?The rest of the story is devoted to Boo Boos attempt to entice Lionel back to shore, as it were. She tries to go with him, tries to find out why hes leaving (one of the house servants called his dad a kike), and then finally challenges him to a race back to the house. (Lionel wins. ) Down at the Dinghy is so understated that it seems like a day-in-the-life. But Salinger isnt a day-in-the-life kinda guy. Soooooooooo . Im gonna squeeze this baby open. Two instances in this story are noticeably darker than the rest the housekeeper calling Lionels father a kike and Lionel wearing Seymours goggles. Seymour was Boo Boos brother). Now, Lionels problem isnt as shallow as a boy with a penchant for running away. These two instances are more significant than the anatomy of Down at the Dinghy would lead you to believe. This young boy has recently (Im assuming) lo st his uncle, and additionally, he believes that other people think poorly of his father. Its a double-blow, and Lionel reacts by running away. What seems like a story about a kid just being a kid, read from this perspective, transforms into a story about a person grappler with the loss of ideals.Lionel is realizing that the world is not as it seems theres more going on. I believe he feels blindsided. Lionel throwing Seymours goggles into the water is so significant, because hes disposing of distractions from the truth. Finally, Boo Boo coaxes him back into being a kid, distracts him from his disillusionment. So there is Lionel, another of Salingers characters who is straddling the line between innocence and adulthood. For Esme with Love and Squalor is one of Salingers more straightforward stories. During the war, Sergeant X recollects his brief but impressionable meeting with Esme, a young girl in a restaurant before the war. Esme is completely simple, thus it doesnt need to be dissected I dont even need to give you a rundown of their interaction. Basically, Esme represents innocence for Sergeant X during the war, a time of squalor and adult concerns. Innocence and squalor both bring in the sergeants existence. Pretty Mouth and Green My Eyes relates a phone call between downwind and Arthur. Arthur believes his wife, Joanie, is having an affair, while were led to believe that the woman with Lee is in fact Joanie. Arthurs life appears to be in shambles (lost a court case, wife cheating on him, etc. , but before long after the two men hang up, Arthur calls Lee back and makes up a story about Joanie coming back home even though shes still with Lee. Arthur is, for all intents and purposes, a man who prides himself on having a trophy job and a trophy wife, two naive ideals. When those ideals are torn down in a sheer act of puerile pride Arthur pretends they still exist. This would generally go unnoticed, but is readily apparent to Lee and Joanie, hence wh y Salinger chose to tell the story through their points of view. De Daumier-Smiths hot Period is about a pretentious young man (De Daumier) who fakes his way into a professorship at an art school. Once there, he reviews his pupils work and struck by a religious painting by a nun. Thats basically it. De Daumier-Smith is a wayfarer, devoid of spirituality and ideals, extremely pretentious and this clean of art forces him to question his convictions. Blue Period is about a man who pretends to be a complex adult but is stripped of his pretensions through an artist who evokes spirituality and idealism. gaucherie is a boy genius/ boodle who has an existential conversation aboard a ship with Nicholson, a scrutinizing grad student. Teddy believes in past lives and karma, and from what I know about Salinger represents his spirituality du jour. Salinger, in every one of his Nine Stories, is painting innocence the protagonist and adulthood the villain but is concerned with those characte rs torn between the two. Teddy rounds out the collection nicely, because its main character lives and dies by his ideals. Teddy is the martyr of Nine Stories and hes meant to be the example for its characters, readers, and even its author.More digest Moon By Chaim Potok