Raymond George Neher :: essays research papers fc

Because roads, streets, highways, boulevards, and freeways be an everyday part of our life, they understandably are part of our art. In the bring out or the background, they secure our art to reality, serve as symbols, or deform and turn in ways never dreamed by the imagination. Raymond Neher apply roads and highways as his subject in many of his delineations. He began icon for his own benefit, because he Enjoyed putting brush to canvas.Raymond George Neher was born in Orange, unseasoned Jersey on September 14, 1943 he was the only child to Rudolph Neher and Evelyn Posadzki. Neher was awarded his live of Architecture form the Carnegie Mellon University and his Masters from the Columbia University. He began his life history as an architect in New York City. In 1973 he transferred to San Francisco, California, where he worked on the Master Plan for a New Community in Ahwaz, Iran. He was soundly known and appreciated for his work in historical restorations and accommodative r euse. His projects included work on art and science museums, hotels and spas, hospital and medical checkup school, as well as construction administration. As an artist his career spanned n beforehand(predicate) 40 years. Neher worked mostly in acrylic paint on canvas. His works have been shown in exhibitions all across the United States of the States and are in private collections throughout the United States, as well as Amsterdam, Rome and Santorini, Greece. Neher joined the Fort Mason Printmakers in the early 1980s and created etchings and monoprints that often complemented his canvas work. Many of his subjects sprang from his travels around Californias Central Valley Interstate 5 highway. His roadscapes paintings he created were on impression quality. The images he creates, whether it is a highway, a bridge or a suburban street, are always free of pollution, road kill and litter. The paintings are secure of colour which makes the painting a bit surreal, as if the image is and too good to be true. All his roadscapes are from the perspective a person in a vehicle on the road, making the looker feel more engaged with the painting, as if they are actually there. The painting above is called Mount Hood Highway. Neher has used such contrasting colours to layer the painting. His use of straight lines and angles on the road, pine trees and the snow cover mountain in the background brake up the painting do the painting to be easier to take in by the viewer.