John Keats Ode on a Grecian Urn and Ode to a Nightingale Essays

John Keats Ode on a Grecian Urn and Ode to a nightingale John Keats, in Ode on a Grecian Urn and Ode to a nightingale attempts to impute with two objects of immortality to escape from the rigors of sympathetic life. In Ode to a nightingale, Keats attempts to connect with a birds stock because the music knows nothing of aging and mortality. Keats has the like motivation in Ode on a Grecian Urn while try to connect with three separate substitution classs on a mysterious urn. Connecting in this sense means to either to the full understand the object or become the object itself. For example, when Keats attempts to connect with an image on the urn, he attempts to amply understand the origin of the image. While his attempts to connect with the two objects fall short, he nevertheless makes an interesting conclusion somewhat the ideals of lulu and rectitude. Keats begins the Ode to a nightingale in pain, before hearing the form of the nightingale. Afte r hearing this music, he wishes to join the bird and leave the man world. He first attempts to connect with the bird using a rough drawing of vintage (11), besides upon unless thinking, decides that he will not (be) charioted by Bacchus and his pards (32). (Bacchus is god of wine and revelry.) Keats in the long run joins the bird on the viewless locomote of Poesy. Though competent to conjecture his flight with the nightingale, the narrator is cant actually conceive anything. Keats can imagine the sporting fading violets coverd up in leaves (47), solely cannot see what flowers are at my feet (41). He can also envision the moon in his mind, but says there is not light (38). The strain of the nightingale has Keats in such ecstasy b... ...ll we needed to know, according to Keats, was that beauty is truth, truth beauty (49 Urn). The narrator would never know what the nightingale meant when it sang its songs. Furthermore, Keats would never be abl e to fully understand the images on the urn because it was created in a different date period. Therefore, Keats would never understand the full truth behind either the song or the urn. But according to Keats conclusion, none of this mattered. The only truth that he needed to know was that these objects were beautiful and becoming of being admired.Works CitedKeats, John. ?Ode on a Grecian Urn.? Poetical Works. 1884. Bartleby.com GreatBooks Online. 15 June 2004 <http//www.bartleby.com/126/41.html.Keats, John. Ode to a Nightingale. Romanticism An Anthology. Ed. Duncan Wu. Oxford Blackwell, 1998. 1058-1060. John Keats Ode on a Grecian Urn and Ode to a Nightingale EssaysJohn Keats Ode on a Grecian Urn and Ode to a Nightingale John Keats, in Ode on a Grecian Urn and Ode to a Nightingale attempts to connect with two objects of immortality to escape from the rigors of human life. In Ode to a Nightingale, Keats attempts to connect with a birds song becaus e the music knows nothing of aging and mortality. Keats has the same motivation in Ode on a Grecian Urn while trying to connect with three separate images on a mysterious urn. Connecting in this sense means to either fully understand the object or become the object itself. For example, when Keats attempts to connect with an image on the urn, he attempts to fully understand the origin of the image. While his attempts to connect with the two objects fall short, he nevertheless makes an interesting conclusion about the ideals of beauty and truth. Keats begins the Ode to a Nightingale in pain, before hearing the melody of the nightingale. After hearing this music, he wishes to join the bird and leave the human world. He first attempts to connect with the bird using a draught of vintage (11), but upon further thinking, decides that he will not (be) charioted by Bacchus and his pards (32). (Bacchus is god of wine and revelry.) Keats finally joins the bird on the viewless wings of Poesy. Though able to imagine his flight with the nightingale, the narrator is cant actually see anything. Keats can imagine the fast fading violets coverd up in leaves (47), but cannot see what flowers are at my feet (41). He can also picture the moon in his mind, but says there is not light (38). The song of the nightingale has Keats in such ecstasy b... ...ll we needed to know, according to Keats, was that beauty is truth, truth beauty (49 Urn). The narrator would never know what the nightingale meant when it sang its songs. Furthermore, Keats would never be able to fully understand the images on the urn because it was created in a different time period. Therefore, Keats would never understand the full truth behind either the song or the urn. But according to Keats conclusion, none of this mattered. The only truth that he needed to know was that these objects were beautiful and worthy of being admired.Works CitedKeats, John. ?Ode on a Grecian Urn.? Poetical Works. 1884. Bartleby.com GreatBooks Online. 15 June 2004 <http//www.bartleby.com/126/41.html.Keats, John. Ode to a Nightingale. Romanticism An Anthology. Ed. Duncan Wu. Oxford Blackwell, 1998. 1058-1060.