LiteratureOne way in which the puritan utilisation of goods and servicesd the world in his quest for heaven was in ghostly meditation . Nor constitution Grabo (1962 ) said : the art of Puritan devotion was basically a regularity for channeling emotion into verbal structures - a poetic rule Meditation was a central c erstrn for English and American Puritans throughout the seventeenth century , and the meditational hand chickks manipulationd by the Puritans dealt with the funda workforcetally literary problem of u mouth verbal methods to arouse and register emotion . So close were meditation and poetry in Puritan thinking that Anne Bradstreet entitled angiotensin-converting enzyme of her best persistent poems Contemplations and Edward Taylor referred to the poems pen at monthly intervals for over forty-four years as sacr a manpowertal Meditations . To understand Puritan poetry , use of symbols in it , and the attitudes toward the world attributery , and language that inform it , we mustiness bear witness this system of ideas and attitudes that stood so closely and clearly butt Anne Bradstreet s Contemplations and Edward Taylor s Sacra handstal MeditationsTaylor thought of his poetry as a religious occupation , especially in his Sacramental Meditations in which he reasons that men owe honor to those who honor them most . No one has honored man more than Christ did in assuming a human reputation and in elevating man higher up the angels . For this reason , man has the constant obligation literally to sing immortal s glory as the rest of nature does . In this sense , Taylor s motive was the same as Anne Bradstreet in Contemplations . In a world where natural objects sing graven image s praises simply by being what they are , converted men and angels are obliged to give the revenue of praise to matinee idol on the account of the works! of humankind .

The whole mental institution doth bring all its shining glory as a sacrifice to be offered up to God from and upon the altar of the arranged creature in sparkling songs of praise to God (Kenneth 230-31Strangely , Taylor s use of the entire realm of nature never results in whatever fresh look at nature itself and he is , wherefore , less a poet of nature than Bradstreet . Furthermore , there is a tendency among mystical to make nature sacramental to get laid sacredness in natural objects because of God s imprint there and to settle down , in fact , into pantheism and the absence of this cha racteristic in Taylor is quite surprising . But in spite of Taylor s stated orientation course for natural over artificial things , the nature of his Meditations exists as if it were in an allegorical tapestry . Its objects are purely typic , set-apart from all natural environment , and interesting in general as an illustration of well-nigh moral . Only once , in fact , does Taylor describe a natural phenomenon as if he wished to capture its nature rather than to apply it to some other(a) useWhen I behold some Curious Piece of ArtOr Pritty boo , Flower , Star , or Shining SunPoure out o reflowing Glory : oh ! my HeartAchs seing how my thoughts in snick-snarls run (Taylor 250In...If you want to get a full essay, order it on our website:
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